TeachingTestimonials
In August of 1999, I studied under Shinichi Iova-Koga at "Ex...it," an international Butoh influenced dance symposium in Broellin, Germany which featured choreographers from around the world teaching 40 students in intensive training workshops and a series of performances. In a short time, Momo took me and the other participants on an intense journey – both physically and psychologically - giving us a glimpse of our own potential through hard work and intensive focus, and learning to be sensitive to our own movements, impulses and creative processes.

His approach is very thorough. While working on a piece about cockroaches, he had us searching through swamps studying the movements and behaviors of insects, patterns of nature - using all of our senses to find the tiniest details.

We were also forced to be sincere to ourselves. Not to accept false movements, but to search deeper for our own honest ones - even invisible ones. We worked on intense focus, keeping tension, listening to ourselves, trusting ourselves.

I could feel new doors of my potential open through this work. Like a runner who feels he can't go on being given a new focus, spiritual and physical adjustments – allowing him to run another three miles.

The physical training was also very intense - pushing our limits and beyond. It was exciting to work as a group and to gain new sensitivity to other performers. We created improvisations and Shinichi helped us to develop the ideas and combine them with the other performers' work - developing a sense of hyper-awareness.

It would be greatly valuable for any aspiring performer to work with Shinichi Iova-Koga, as it has been an honor for me to have done so.


~Haruko Nishimura
Degenerate Art Ensemble, Seattle


I have been performing dance and collaborating under the direction of Shinichi Iova-Koga since the spring of 1997. Momo is a gifted, sensitive, intelligent and experienced performer and director, as well as a very knowledgeable dance teacher. Through his teaching and guidance, I have learned and have been exposed to the fundamentals, intricacies and endless and subtle nuances of Butoh dance.

As a teacher, Momo has the ability to create among his students a safe environment for learning and inner growth. This has been instrumental in my development as a more confident performer. Momo has helped me evolve as an artist and I feel grateful and honored to be one of his students and collaborators.


~Eugenio Brodbeck
Brazil

Last Tuesday (1/23/01), students of Shinichi Iova-Koga infiltrated the Emeryville Public Marketplace (a sort of indoor culinary mecca) and performed an ensemble dance amid the diners. They wore drab-colored street clothes, unified by orange scarves. Their focus was impressive, as was their group-mind. Equally intriguing to watch were their observers, who ranged from diners with ostrich syndrome to befuddled security officers who could not engage the dancers directly, as they were not breaking any laws. I heard a voice crackle desperately over a handset radio,"They won't look at me, they're in some sort of meditation! Get me backup!" And just as the backup force appeared up the corridor, the dancers diffused into the market crowd, came back to earth, bought their dinners, and passed right through the confused muscle, unseen, and unmolested. It was really something to see.

Wes Fredenburg