| TeachingTestimonials | ||||||
| In
August of 1999, I studied under Shinichi Iova-Koga at "Ex...it,"
an international Butoh influenced dance symposium in Broellin, Germany which
featured choreographers from around the world teaching 40 students in intensive
training workshops and a series of performances. In a short time, Momo took
me and the other participants on an intense journey both physically
and psychologically - giving us a glimpse of our own potential through hard
work and intensive focus, and learning to be sensitive to our own movements,
impulses and creative processes. His approach is very thorough. While working on a piece about cockroaches, he had us searching through swamps studying the movements and behaviors of insects, patterns of nature - using all of our senses to find the tiniest details. We were also forced to be sincere to ourselves. Not to accept false movements, but to search deeper for our own honest ones - even invisible ones. We worked on intense focus, keeping tension, listening to ourselves, trusting ourselves. I could feel new doors of my potential open through this work. Like a runner who feels he can't go on being given a new focus, spiritual and physical adjustments allowing him to run another three miles. The physical training was also very intense - pushing our limits and beyond. It was exciting to work as a group and to gain new sensitivity to other performers. We created improvisations and Shinichi helped us to develop the ideas and combine them with the other performers' work - developing a sense of hyper-awareness. It would be greatly valuable for any aspiring performer to work with Shinichi Iova-Koga, as it has been an honor for me to have done so. ~Haruko Nishimura Degenerate Art Ensemble, Seattle I
have been performing dance and collaborating under the direction of Shinichi
Iova-Koga since the spring of 1997. Momo is a gifted, sensitive, intelligent
and experienced performer and director, as well as a very knowledgeable
dance teacher. Through his teaching and guidance, I have learned and have
been exposed to the fundamentals, intricacies and endless and subtle nuances
of Butoh dance. |
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| Last
Tuesday (1/23/01), students of Shinichi Iova-Koga infiltrated the Emeryville
Public Marketplace (a sort of indoor culinary mecca) and performed an ensemble
dance amid the diners. They wore drab-colored street clothes, unified by
orange scarves. Their focus was impressive, as was their group-mind. Equally
intriguing to watch were their observers, who ranged from diners with ostrich
syndrome to befuddled security officers who could not engage the dancers
directly, as they were not breaking any laws. I heard a voice crackle desperately
over a handset radio,"They won't look at me, they're in some sort of
meditation! Get me backup!" And just as the backup force appeared up
the corridor, the dancers diffused into the market crowd, came back to earth,
bought their dinners, and passed right through the confused muscle, unseen,
and unmolested. It was really something to see. Wes Fredenburg |
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